Storyboarding became popular in live-action film production during the early 1940s and grew into a standard medium for the previsualization of films. Selznick to design every shot of the film. William Cameron Menzies, the film's production designer, was hired by producer David O. Gone with the Wind (1939) was one of the first live-action films to be completely storyboarded. By 1937 or 1938, all American animation studios were using storyboards.

The second studio to switch from 'story sketches' to storyboards was Walter Lantz Productions in early 1935 by 1936 Harman-Ising and Leon Schlesinger Productions also followed suit. Furthermore, it was Disney who first recognized the necessity for studios to maintain a separate 'story department' with specialized storyboard artists (that is, a new occupation distinct from animators), as he had realized that audiences would not watch a film unless its story gave them a reason to care about the characters. According to John Canemaker, in Paper Dreams: The Art and Artists of Disney Storyboards (1999, Hyperion Press), the first storyboards at Disney evolved from comic book-like 'story sketches' created in the 1920s to illustrate concepts for animated cartoon short subjects such as Plane Crazy and Steamboat Willie, and within a few years the idea spread to other studios.Īccording to Christopher Finch in The Art of Walt Disney (Abrams, 1974), Disney credited animator Webb Smith with creating the idea of drawing scenes on separate sheets of paper and pinning them up on a bulletin board to tell a story in sequence, thus creating the first storyboard. In the biography of her father, The Story of Walt Disney (Henry Holt, 1956), Diane Disney Miller explains that the first complete storyboards were created for the 1933 Disney short Three Little Pigs. However, storyboarding in the form widely known today was developed at the Walt Disney studio during the early 1930s. Special effects pioneer Georges Méliès is known to have been among the first filmmakers to use storyboards and pre-production art to visualize planned effects. Many large budget silent films were storyboarded, but most of this material has been lost during the reduction of the studio archives during the 1970s and 1980s.

Storyboard pro no sound